Ebook Listen to This: Miles Davis and Bitches Brew (American Made Music Series), by Victor Svorinich
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Listen to This: Miles Davis and Bitches Brew (American Made Music Series), by Victor Svorinich
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Listen to This stands out as the first book exclusively dedicated to Davis’s watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for ten-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock and roll and as Davis (1926–1991) faced large changes in social conditions affecting the African-American consciousness. This new climate served as a catalyst for an experiment that many considered a major departure. Davis’s new music projected rock and roll sensibilities, the experimental essence of 1960s’ counterculture, yet also harsh dissonances of African-American reality. Many listeners embraced it, while others misunderstood and rejected the concoction.
Listen to This is not just the story of Bitches Brew. It reveals much of the legend of Miles Davis―his attitude and will, his grace under pressure, his bands, his relationship to the masses, his business and personal etiquette, and his response to extraordinary social conditions seemingly aligned to bring him down. Svorinich revisits the mystery and skepticism surrounding the album, and places it into both a historical and musical context using new interviews, original analysis, recently found recordings, unearthed session data sheets, memoranda, letters, musical transcriptions, scores, and a wealth of other material. Additionally, Listen to This encompasses a thorough examination of producer Teo Macero’s archives and Bitches Brew’s original session reels in order to provide the only complete day-to-day account of the sessions.
- Sales Rank: #1578000 in Books
- Published on: 2015-02-05
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .63" w x 5.98" l, .0 pounds
- Binding: Hardcover
- 202 pages
Review
“No fan of Davis or student of contemporary jazz should skip this penetrating and fast-reading take on an album that still, forty-five years after its release, gives us much to contemplate.”
―Matt Lohr, JazzTimes
“The book is peppered with interesting facts. . . .Many pages are devoted to the impact of Bitches Brew on Miles Davis’s subsequent career (right up to his final decade) and on the musicians involved, including Wayne Shorter, Chick Corea, John McLaughlin, Joe Zawinul, and Bennie Maupin. Also included are many photographs and transcriptions, plus reproductions of letters, memos, adverts, and session logs that make for fascinating reading. This is a strong contender for jazz book of the year.”
―George Cole, Jazzwise
“Svorinich’s well-written, balanced account of Davis’s journey up to and beyond Bitches Brew will appeal not only to Davis converts but to any serious music fan interested in the development of twentieth-century popular music.”
―Ian Patterson, AllAboutJazz.com
“With precision, laser-like focus, writer Victor Svorinich zooms in on the events leading up to the recording of a jazz-fusion landmark in Listen to This: Miles Davis and “Bitches Brew”. Incorporating revealing testimony from pinnacle players culled from liner notes, previously published magazine articles, and interviews he conducted for this project, Svorinich runs down (in excruciating detail) the three days of recording that culminated in Davis’s first gold record while providing insightful annotation of each individual track.”
―Bill Milkowski, DownBeat
About the Author
Victor Svorinich (D.Litt, Drew), Whippany, New Jersey, is a music faculty member at Kean University in Union, New Jersey, and owner of The Guitar Academy. His published work includes Electric Miles: A Look at the “In a Silent Way” and “On the Corner” Sessions.
Most helpful customer reviews
9 of 9 people found the following review helpful.
conjure 3D Miles up from our memories
By Mikio Miyaki
Listen to This is the third book of the making of the Miles Davis masterpiece, following to Ashley Kahn’s Kind Of Blue (2000, Da Capo Press) and Yasuki Nakayama’s the Truth Of Agharta And Pangaea (2011, Kawade, Japan.) While latter two books focusing on the moment of creation and the inside stories, Victor Svorinich tries to conjure 3D Miles up from our memories. His analysis of climate, preparation, music and post production depicts how only Miles really knew what he was looking for and endeavored in recreating the music in his head. He says Miles served as the conceptualist for Bitches Brew, and placed an emphasis in expanding upon small clumps and creating new composition out of them. In this sense, he seems to stand by Miles’ side against Zawinul’s claim as an original composer. Uniqueness of this book is containing verbal evidences from photographers. They are favorable to Miles as they successfully captured Miles. Svorinich writes Miles’ incredible will to achieve at any cost makes the prince of darkness a charismatic, timeless figure. From an every sound of his trumpet, we can feel a layer of warmth, beauty, and romanticism. Whatever the method, Svorinich stresses, it had to come out from underneath the shyness, the darkness, and the tough skin which life gave Miles.
Would like to point out one misunderstanding by Svorinich. Agharta is recorded in Osaka. (not Tokyo show, p152) Agharta is a record of matinee (start 4:00pm local time), while Pangaea is the second performance of the same day (start 7:00pm local time). Sony got Columbia’s approval of live recording for the limited Japan sales only, assigned Japanese engineer for this project. Getting a good reputation from Japan, Columbia decided sales of Agharta in America. However, facing severe comment from critics, they abandoned producing Pangaea in America. There was a controversy between Japanese and American engineers about the cutting level for this product as in p110. These two records still have some popularity in the Japanese market. Notwithstanding his physical condition at that time, Miles sparkles here and there.
7 of 9 people found the following review helpful.
I'll drink to that! (sambvca of course)
By Anthony Limaldi
I used to not listen to Miles post 60s. I am more into straight ahead jazz. This book has broadened my horizons. I hadn't realized the influence of the Bitches Brew album until reading the book. And because of Svorinich, It's all I've been listening to for weeks. Well done.
2 of 2 people found the following review helpful.
A great background on an historic recording
By John E. Tyler
The topic is covered thoroughly with great insight. There is a lot of detail without being boring. A good writer.
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