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The Origins of Free Verse, by H. T. Kirby-Smith
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H. T. Kirby-Smith offers a far-ranging and intellectually engaging study of the literary history of the debated genre of free verse, aimed not at perpetuating a particular dispute but instead at discovering the generative points of this often celebrated, often maligned form.
Though free verse became a dominant poetic mode only in the twentieth century, Kirby-Smith finds its roots in seventeenth-century England. Beginning his study with writers such as John Milton--who was considered by T. S. Eliot to be the greatest writer of free verse in English--the author places recent and divisive topics in poetics in context, showing them to be attenuated remnants of issues first broached hundreds of years ago.
The book seeks to establish a consensus on the nature of free verse, with reference to critics and poets including Pound, Eliot, Williams, Amy Lowell, Yvor Winters, and Hugh Kenner. Good free verse, argues Kirby-Smith, arises as a reaction to a well-established set of conventions. Likewise, The Origins of Free Verse goes against the conventions of existing poetic scholarship, offering an encompassing yet fresh--and controversial--literary history of free verse.
"At moments, this study is revelatory. . . . In its range and detail it offers a way of thinking about the history of English-language prosody which recognizes the importance of the poet's individual choices and undercuts our century's vanity. . . . Poetry is a learned art, and Kirby-Smith brings both insight and much learning to reading it." --Times Literary Supplement
"The best study of free verse I have seen. . . . The Origins of Free Verse is a book that all students of prosody will want to read. " --Harvard Review
". . . a witty and polemical account of the emergence and development of free verse." --Choice
H. T. Kirby-Smith is Professor of English, University of North Carolina at Greensboro.
- Sales Rank: #1213120 in Books
- Published on: 1998-06-04
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.04" w x 6.04" l, 1.15 pounds
- Binding: Paperback
- 320 pages
From the Back Cover
The Origins of Free Verse seeks to establish a consensus on the nature of free verse, culled from the comments and theories of, among others, Ezra Pound, Amy Lowell, T. S. Eliot, William Carlos Williams, Yvor Winters, and Hugh Kenner. Good free verse, argues Kirby-Smith, arises as a reaction to a well-established set of conventions, a reaction that achieves its effects by working contrapuntally against or outside the realm of convention. Likewise, The Origins of Free Verse goes against the conventions of existing poetic scholarship, offering an encompassing yet fresh - and certainly controversial - literary history of free verse.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Stimulating and Original Focus
By Kenneth Hope
This is a first rate book on poetry. Its breadth is satisfying large, but more importantly its originality and insight are enormously rewarding. Like most any good book on poetry, it uses prosody effectively to help the reader see and hear things in the poems themselves. Anyone interested in poetry-not just devotees of free verse-will find much in this book to enjoy. It has that rare quality of actually teaching you something about things you thought you might have already known, so that when you turn again to read familiar poems, they are likely to reveal more about themselves. Also, this book is written with enormous clarity and good sense.
1 of 1 people found the following review helpful.
Stimulating and Original Focus
By Kenneth Hope
This is a first rate book on poetry. Its breadth is satisfying large, but more importantly its originality and insight are enormously rewarding. Like most any good book on poetry, it uses prosody effectively to help the reader see and hear things in the poems themselves. Anyone interested in poetry-not just devotees of free verse-will find much in this book to enjoy. It has that rare quality of actually teaching you something about things you thought you might have already known, so that when you turn again to read familiar poems, they are likely to reveal more about themselves. Also, this book is written with enormous clarity and good sense.
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