Selasa, 31 Juli 2012

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Senin, 23 Juli 2012

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Once upon a time Steve Kilbey lived in Mansfield St, Rozelle (Sydney Australia) in an old terrace house. It was 1986, he would sit around in his kitchen banging out poetry. he wanted a poetry book because that's what popstars did that had done everything else, they released a poetry book or two. Dylan, Bolan, Lennon... if it was good enough for them then it was good enough for him. Steve Kilbey - Musician, painter, writer, poet, sage, dispenser of arcane wisdom, and much loved national treasure. A songwriter of many musical tongues, from the sprawling guitar thunderstorms of his band 'The Church', to the opiated dronescapes and psychedelic vision of his solo recordings and paintings. Kilbey can only be referred to as a polymath; a modern day renaissance man, a consummate musician and hitmaker. His fans have been treated to an unrivalled catalogue of material for over 33 years. 'The Time Being' brings you 'Uncollected' by Steve Kilbey. A deluxe edition of his books - Earthed, The Ephemeron, Nineveh, Fruit Machine and other selected works, all in one neat and tidy volume.

  • Sales Rank: #2287577 in Books
  • Published on: 2013-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .93" w x 5.24" l, 1.05 pounds
  • Binding: Paperback
  • 420 pages

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A Very Active and Creative Imagination.....
By Carlos Romero natural cinephile
Lucky and blessed are those few souls that have a Muse/Star (be it: Thalia or Calliope), to nurture the inward desire (for the knowledge of "Self"), and to then be able to communicate this inspiration/feeling back to us through the Arts. And rest assured, Steve Kilbey is one such soul, whether he knows it or not (and I think he does). Steve Kilbey of course, is best known as the voice and prime mover of possibly, one of the greatest bands to have ever graced planet Earth, I mean none other than: The Church ("the body is the temple of the soul"/if you prefer Joyce: "the body is the tomb of the soul."). But his talents go much deeper than just making fantastic and phenomenal music. He is gifted with poetic vision, to be precise! "Uncollected" brings together Steve Kilbey's previously published and new writings into one unified and concise collection (1986 - 2013). I'll give a brief summary, of what these writings expressed for me.

Earthed:

Neumann: (you, I, me) the no-man, the every-man (humankind).

Carthage: the chaos of peoples (the New York, London, etc., of yesterday/today/tomorrow).

Weaving mythology, mysticism, and history: to tell a story/version of humankind and this world (including the world of Elementals); in a non-linear narrative and dreamlike manner. One might say our very dreams tap into this reality all the time.

Nineveh:

Ancient capital of Assyria (the seat of Ishtar), founded some 6,000 years B.C. Center of the ancient world, where wealth was accumulated from East and West. Then, quite sudden like, all her former vassals set upon her, and Nineveh was no more! All great empires eventually get consumed by their own evil karma (U.S. & Co., beware the "Ides of March").

The Ephemeron:

Another tale/journey of mystery and imagination; with 'Erskine the magician' as your guide into a world of dream/reality: weaving in and out of yesterday, today, tomorrow, the ever-present now.

Uncollected:

Experiences and daily observations, the daily struggle of life, the search for an answer to it all! And yes, his very personal struggle with his own demons. We can also see the spiritual insight, of the person that wrote this line: "Let her eyes burn like a blue sun". Another example was between pages 354 - 5, where anyone versed in esoteric material, can clearly see the reference in this passage to the power that Lucifer has over us. I'm specifically talking about Lucifer's influence on our "Ego" at the moment of every earthly birth.

The Fruit Machine:

This is an essay on the virtues of the electric guitar and rock 'n' roll in general. Very incisive. Notable mentions: Eric Clapton, Jimi Hendrix, Jeff Beck, Jimi Page, Alvin Lee, Carlos Santana, Tom Verlaine, John Lennon, Jim Morrison, Bob Dylan, Marc Bolan, Lou Reed, The Beatles, The Rolling Stones, The Who, Pink Floyd, Led Zeppelin, Yes, Deep Purple, Black Sabbath, The Stooges, The New York Dolls, etc., etc.

All in all, these writings display a very active and creative imagination. That has flashes of wisdom, minor miracles, and inner knowledge of the spirit too. There were parts that were very witty and very funny also ("Uncollected"), from an obvious personal perspective and point of view. But, they have a commonality about them that embraces the universal in every person's experience too. That's the beauty of it all!

Observation and side note:

In today's world, filled with the incessant clamor of the worship of 'celebrities' (that have no talent whatsoever, except for self-aggrandizement), consumerism, social-media/state-propaganda, and everyone just basically 'goose-stepping' in unison, to the beat of mediocrity and the embezzlement of Nature's gifts. Thank God, that there are still artists out there like Steve Kilbey, who share their love and understanding of aesthetics and higher principles, with the rest of us like-minded souls, who can also see through all the BS!

Love and Peace,
Carlos Romero

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Cartoon Character Animation with Maya: Mastering the Art of Exaggerated Animation (Required Reading Range), by Keith Osborn

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Cartoon Character Animation with Maya: Mastering the Art of Exaggerated Animation (Required Reading Range), by Keith Osborn

Have you ever wanted to try your hand at cartoony computer animation? Then look no further… Cartoon Character Animation with Maya will help you create just that, guiding you through every step of the process including how to incorporate multiple limbs, smears, motion lines and staggers seamlessly into your animation.

From planning to posing to polish, you'll learn how to make the most of breakdowns, take the terror out of tangent types and overcome the oft-feared graph editor.

Each chapter includes insight and advice from world-leading character animators, and the companion website, www.bloomsbury.com/Osborn-Cartoon-Animation, includes a short animation featuring the star of the book, Mr. Buttons. There's also a specially created rig of Mr. Buttons for you to animate with, as well as walk-through videos demonstrating key techniques. Everything you need to help you animate your own cartoony creations!

Includes interviews with: Ken Duncan, Beauty and the Beast, Aladdin, 9; Jason Figliozzi, Wreck it Ralph, Frozen, Big Hero 6; T. Dan Hofstedt, Pocahontas, Mulan, Planes; Ricardo Jost, The Nut Job, The Snow Queen 2; Pepe S�nchez, Pocoyo, Jelly Jamm; Matt Williames, Looney Tunes: Back in Action, The Princess and the Frog

  • Sales Rank: #904815 in Books
  • Published on: 2015-10-08
  • Released on: 2015-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.65" h x .49" w x 8.25" l, 1.00 pounds
  • Binding: Paperback
  • 176 pages

Review

“… you don’t need to be a Maya pro to get a lot from the book; indeed, the advice presented here can be application to most CG animation software, but when it does touch on specifics … it’s done so in a clean and informed way … It’s in the more general insights and animation techniques where the book comes alive, backed by some great examples and interviews as Keith ropes in industry friends such as Matt Williams (The Princess and the Frog), Ricardo Jost Resende (Nut Job) and Jason Figliozzi (Wreck-it-Ralph) to bolster the wealth of advice.” -Pressreader “3D World”

“[Cartoon Character Animation with Maya is] well written and includes color photos from current animated features, which Osborn uses to explain different concepts from planning shots to designing readable poses. … I definitely could have used this book when I was first working in Maya.” - Jim Richardson, Animateducated

About the Author
Keith Osborn, is a US-based freelance animator and animation instructor. He has over ten years' experience in various disciplines of animated film-making, specializing in character animation, including his work on the 2012 Oscar-winning short, The Fantastic Flying Books of Mr. Morris Lessmore.

Most helpful customer reviews

4 of 4 people found the following review helpful.
The interviews added between the chapters are a nice filler. Keith Osborn described his workflow from step ...
By Joan d'Audiffret
I was looking forward to this book, unfortunately this turned out to be disappointing. Anyone with a couple of semester from IAnimate or animation mentor under their belt will benefit little. This is a very superficial overview of a complex subject. The interviews added between the chapters are a nice filler. Keith Osborn described his workflow from step to spline, but too little for the non initiated and not enough for the somewhat experience animator. Of note the link to the companion files of the kindle edition is non functional. Furthermore, this text is 10$ cheaper if you order it directly from the publisher in a epub format. Oh well, there is no substitute for practice...

2 of 2 people found the following review helpful.
Great book that picks one subject and thoroughly explores it.
By Amazon Customer
I really enjoyed this book. I've been animating for several years and have completed the feature course at iAnimate just last year so I guess I'm not a beginner or an expert, somewhere in between.

Regarding the content here's my take on it :
Since I've been studying animation intensively for a few years there's not a lot in the book I haven't already heard of (I've read ASK, Illusion of Life, Timing for Animation and lots of others), so parts like the discussion of the basic principles is stuff I'm already very familiar with. At the same time though - I really don't believe the basics can ever be repeated too often as this stuff is crucial to think about as much as possible! So I find having it repeated in different contexts by different books is a good thing.

The other side of it is that in most animation courses/books they talk about animation as a whole, and they don't dig deep into one style so much as cover many styles. But this book deals very specifically with very pushed cartoony animation in particular and for me that's very interesting and there's some great information in there that you can only learn with a lot of trial and error in many cases

It also covers a lot of stuff that's anecdotal, like the interviews, which I found was generally illuminating. I'm a freelancer and I work remotely so I'm always aware that one thing I miss by not being part of a studio is the chance to look over someone's shoulder while they work and to ask them questions about their thought process, workflow etc. I got some of that at iAnimate but I'm always hungry for more as every animator has their own tips and tricks to offer. So for me the interviews are definitely useful and had some great tips and insights.

1 of 1 people found the following review helpful.
Exceptional Transmedia Book on Applying 2D Animation Techniques in Maya
By Jason Kennedy
There are many books on animation available, some exceptional and some bin-worthy. What sets Cartoon Character Animation with Maya apart is that it discusses "from the trenches" theory while providing detailed tutorials and valuable resources. Osborn is able to get to the heart of how to transfer 2D character animation experience into 3D animation unlike any other book I've read or tutorial I've watched (and trust me, that is quite a few!). I'm a 3D animator with 14 years' experience and even I pulled out a few new nuggets of wisdom from this book to apply to my workflow. I also teach animation at the university level and this book will become required reading for my students. This is truly a transmedia project with great additional resources on the publisher's site.

If you want to learn how to animate in 3D with the feeling of Chuck Jones or Tex Avery, this is the book for you.

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Senin, 02 Juli 2012

[S153.Ebook] Ebook Free Investments, by Zvi Bodie, Alex Kane, Alan Marcus

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Investments, by Zvi Bodie, Alex Kane, Alan Marcus

Bodie, Kane, and Marcus’ Investments sets the standard for graduate/MBA investments textbooks. It blends practical and theoretical coverage, while maintaining an appropriate rigor and a clear writing style. Its unifying theme is that security markets are nearly efficient, meaning that most securities are priced appropriately given their risk and return attributes. The text places greater emphasis on asset allocation and offers a much broader and deeper treatment of futures, options, and other derivative security markets than most investment texts. It is also the only graduate Investments text to offer an online homework management system, McGraw-Hill’s Connect Finance.

  • Sales Rank: #39186 in Books
  • Brand: McGraw-Hill Irwin
  • Published on: 2010-09-17
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.30" h x 1.50" w x 8.30" l, .88 pounds
  • Binding: Hardcover
  • 1056 pages
Features
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About the Author
Zvi Bodie is Professor of Finance and Economics at the Boston University School of Management. He is the director of Boston University’s Chartered Financial Analysts Examination Review Program and has served as consultant to many private and governmental organizations. Professor Bodie is a research associate of the National Bureau of Economic Research, where he was director of the NBER Project on Financial Aspects of the U.S. Pension System, and he is a member of the Pension Research Council of The Wharton School. He is widely published in leading professional journals, and his previous books include Pensions in the U.S. Economy, Issues in Pension Economics, and Financial Aspects of the U.S. Pension System.

Alex Kane is professor of finance and economics at the Graduate School of International Relations and Pacific Studies at the University of California, San Diego. He was visiting professor at the Faculty of Economics, University of Tokyo; Graduate School of Business, Harvard; Kennedy School of Government, Harvard; and research associate, National Bureau of Economic Research. An author of many articles in finance and management journals, Professor Kane’s research is mainly in corporate finance, portfolio management, and capital markets, most recently in the measurement of market volatility and the pricing of options. Professor Kane is the developer of the International Simulation Laboratory (ISL) for training and experimental research in executive decision making.

Alan Marcus is professor of finance in the Wallace E. Carroll School of Management at Boston College. He received his PHD in Economics from MIT in 1981. Professor Marcus recently has been a visiting professor at the Athens Laboratory of Business Administration and at MIT’s Sloan School of Management and has served as a research associate at the National Bureau of Economic Research. He also established the Chartered Financial Analysts Review Program at Boston College. Professor Marcus has published widely in the fields of capital markets and portfolio management, with an emphasis on applications of futures and options pricing models. His consulting work has ranged from new product development to provision of expert testimony in utility rate proceedings. He also spend two years at the Federal Home Loan Mortgage Corporation (Freddie Mac), where he developed models of mortgage pricing and credit risk, and he currently serves on the Advisory Council for the Currency Risk Management Alliance of State Street Bank and Windham Capital Management Boston.

Most helpful customer reviews

5 of 5 people found the following review helpful.
THE Text for Investment Analysis!
By BostonBassist
I have several Finance texts and this is one of a few that I still reference after several years (in addition to Principles of Corp Finance - Brealey & Meyers). I would consider this an intermediate to advanced level text. If this is your first text on investments, you will likely find yourself re-reading paragraphs and working through calculations. I would not recommend this text to someone who is looking to learn how to buy investments or just re-balance their portfolio. But if you want a solid understanding of the theory behind investment products - this is the text. I have other read other investment books and found that I would end up referencing this text for certain concepts, which were explained much more clearly to me.

3 of 3 people found the following review helpful.
this (9th ed) is good investment. Buy the latest edition(10th) if you can ...
By thevenus
The older editions (less than 9th ) are worthless to buy. But, this (9th ed) is good investment. Buy the latest edition(10th) if you can afford.However, the stuff in 9th ed is almost same as 10th ed. This book contains recent updates of the market laws , regulations etc so try to buy the recent book if preparing for CFA or seeking jobs.The book came with fairly good condition.
I thought of buying the international edition (latest) but It would have taken longer time to reach.Also, international editions are paperback and it is difficult to read/study from it, especially the pages on the left.So, I preferred a hard cover (penultimate ed.). The book has to be followed many times/carried in bags and so it is good to have a hardcover copy.

2 of 2 people found the following review helpful.
and I'm so glad I found this version because it's the exact same
By Bey_Ski
There are two hardcover versions of this edition available online. The other version has a slightly different cover, and is over $100.

I had to get the 10th edition of this text for my investment analysis class, and I'm so glad I found this version because it's the exact same. Though the chapters are in a different order.

See all 145 customer reviews...

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Minggu, 01 Juli 2012

[M351.Ebook] Ebook Free Filmcraft: Production Design, by Fionnuala Halligan

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Filmcraft: Production Design, by Fionnuala Halligan

Production Design, the fifth title in the FilmCraft series, addresses one of the most important roles in cinema. Production designers do nothing short of creating whole new worlds, turning the bare bones of the script into a physical 3D environment that can be filmed.� This book introduces that art in the words of the people best-equip to explain it, as well as looking at the legacies of the great innovators of the past.�

This volume also looks at the work of key influential figures, like Sir Ken Adam (winner of two Academy Awards and two BAFTAs) and Oscar winner Rick Carter (Jurassic Park, Avatar). These in-depth interviews with some of today's most distinguished practitioners, examine the training, personal qualities, pitfalls, technical expertise, management, luck and qualities which this demanding job requires.

  • Sales Rank: #45987 in Books
  • Published on: 2012-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 9.25" w x .75" l, 1.76 pounds
  • Binding: Paperback
  • 192 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
An excellent resource for both aspiring production designers or anyone with a love for film.
By blauereiter
To see more pictures from the book, please visit my blog via my Amazon profile link.

Yet another from Focal Press's excellent series of books on film Art, Production Design - Film Craft interviews some of the best production designers working in the film industry today.

Listed below are the 16 production designers interviewed and their list of films featured in the book :

- Ken Adam (Madness of King George, Dr Strangelove, Dr No, Goldfinger, You Only Live Twice)

- Jim Bissell (300, ET, Good Night and Good Luck, Jumanji)

- Rick Carter (Avatar, Back to the Future II, The Goonies, Jurassic Park (1-3), War Horse)

- William Chang (2046, Chungking Express, Happy Together, My Blueberry Nights)

- Stuart Craig (The Mission, The Elephant Man, The English Patient, Gandhi, Harry Potter)

- Nathan Crowley (Lake House, Public Enemies, Dark Knight Trilogy, The Prestige, John Carter)

- Dante Ferretti (HUGO, The Adventures of Baron Munchausen, Gangs of New York, The Aviator)

- Jack Fisk (Days of Heaven, Badlands, The New World, There Will be Blood, The Tree of Life)

- Antxon Gomez (The Skin I Live In, Bad Education, Che, Talk to Her, All About My Mother, Live Flesh)

- Sarah Greenwood (Hanna, Atonement, Sherlock Holmes (x2), Anna Karenina)

- Alex McDowell (Charlie and the Chocolate Factory, The Terminal, Minority Report, Fight Club)

- John Myhre (Chicago, Elizabeth, Memoirs of a Geisha)

- Eve Stewart (The Damned United, The King's Speech, Naked, Topsy Turvy)

- Yohei Taneda (Kill Bill (1 & 2), The Flowers of War, The Magic Hour)

- Dean Tavoularis (Apocalypse Now, Bonnie and Clyde, Carnage, The Godfather (I and II)

Legacy - (William Cameron Menzies, Richard Sylbert, John Box, Fernando Scarfiotti, Cedric Gibbons)

The interviews are detailed and in-depth, with plenty of case studies and the many production stills and photographs prevent the read from getting dry, and also allow easy identification of films should you want to check them out.

This book is an excellent resource for both aspiring production designers or anyone with a love for Film. Highly recommended.

5 of 6 people found the following review helpful.
An Inspiring and Beautiful Resource which Reshaped a Project
By Brian M. Stoppee
With a love for our recently reviewed "FilmCraft Cinematography" and a new project to completely redesign the visuals of a non-profit's documentary, carefully studying "FilmCraft Production Design" seemed exactly what we need. The fabulous design principles of the cinematography book in this series, as well as the organizational concepts, followed its way to this volume on production design to the typographical letter. It is so filled with fabulous images of Hollywood's best, it's easy to mistake this as a coffee table book, but it's rich in content. This book's author, Fionnula Halligan, a globe-trotting London-based film critic, has fit a big story about the look of feature films into just under 200 pages, which once started... must be read from cover to cover.

Though our studio has decades of background in film and video, the easily available 1080 HD movie-making capabilities with our dSLR (digital single lenses reflex) cameras has taken our primarily design/photography/illustration based business in new directions. Our minds, eyes, hearts, and souls have followed.

After an excellent introduction of what production design is about, the book starts a series of interviews with KEN ADAMS known for such monumental films as "Dr. Strangelove," "Barry Lyndon," "You Only Live Twice," and "Goldfinger." It's mesmerizing to stare at Ken's production designs juxtaposed over frames from the films. The relationship between the illustrations and movie frames, make statements for themselves about the vision Adams offers to a production and the trust directors place in him. They match.

JIM BISSELL's work on "E.T.: The Extra-Terrestrial," "Good Night, and Good Luck," and most recently, "Mission Impossible-Ghost Protocol" are intimidating credentials. His interview, though, tells the story of a humble team player who approaches his role differently than Adams.

Much like a smooth flowing script, the tone of collaboration heightens with the career of RICK CARTER, who has designed for Spielberg's television series "Amazing Stories," From there he went onto "Back to the Future" (II and III), "Jurassic Park," "Forrest Gump," "The Polar Express," and "Avatar." As stunningly grand as Carter's work may be, he refers to himself simply as a "provider."

We admit to having never heard of WILLIAM CHANG SUK-PING, nor anything he's ever worked on. This put us to the test to see if we're interested in production design or we're just paging through a book with star struck eyes. If anything, we began to see the development of a designer's style and the signatures. William's calling card is color, even when color is distilled down to warm tones and black, we can begin to see his vision.

With three Academy Awards, STUART CRAIG illustrates his concepts with fascinating detail which makes us tingle just to imagine him drawing these things. We understand why directors want Craig when they need to put big budget images on the screen. If "Gandhi" is not fresh in your mind, that might be good. A few images from it assist in helping you comprehend what Stuart brought to the table. But, it's the 4-page spread on his work with "Harry Potter" movies which makes you think, "I get it." It's impressive.

Nominated for 2 Oscars and 2 BAFTAs, NATHAN CROWLEY is another production designer who has directors knocking on his door for such fantasy romps as "Bram Stoker's Dracula," "The Batman Begins," "The Dark Night," and most recently, "The Dark Knight Rises." Crowley refers to his work as an "adventure." We confess to having no interest in the film genre of comic book stuff, nevertheless, the book helps us to separate the plot lines from the design concepts.

DANTE FERRETTI earned the cover shot from "Hugo," which is an extremely compelling image that makes it clear how no production team contacts Ferretti for anything simple, even a clock. The ten pages allocated to Dante makes you wish there were 12 or 14 or more. Focal Press gave into interests like ours and squeezed all the images of Ferretti's onto these spreads, so though many of the photos are not large, memories of "The Adventures of Baron Munchausen," "Gangs of New York," and "The Aviator" provide insight into his creative brilliance.

A good way to read the section on JACK FRISK is to page through the images and then go back to read the interview. Once we looked at the images we realize how much Frisk is entrusted in developing the visual sense of what the story is all about and then read what a humble designer Jack is when he claims, "I'm just starting to figure out what production design is all about." You have to think, "This is the guy who designed, `Badlands,' `Days of Heaven' and `There Will Be Blood'?" Just the same, it's makes the read all the more enjoyable.

Another production designer we knew nothing about is ANTXON GOMEZ, or had heard of any project he worked on. At this point in the book, Gomez assists in our gaining an even clearer comprehension of what those who practice his artistry offer movie. It also provided the author with an opportunity to paint a more in depth exploration of the production process.

It's refreshing to shift gears and view the role SARAH GREENWOOD's work brings to films like "Sherlock Holmes," "Atonement," and "Anna Karenina." It made us think, for a second, "This looks like she could be mistaken as a cinematographer." Sarah designs as if she's looking through a camera. Sarah's obviously an integral player in a production team.

If, at this point, you're so excited about production design that you might quit your day job, reading GRANT MAJOR's comments, "I'm not a rich man, but I've managed to be able to raise kids..." adds reality to a career which includes, "King Kong," and "The Lord of the Rings" trilogy and more recently the huge "Green Lantern" project. Though directors trust Major with the look of their films and producers place nearly obscene millions of dollars in him, even Oscars do not guarantee a lifestyle of wealth.

ALEX MCDOWELL's interview takes you deeper into the role of the production designer where model making is involved. McDowell offers a very hopeful view of visual and script development happening in parallel. He should know. His resume is quite broad, including "Fight Club," "Bee Movie," "Minority Report," and released just this summer, "Man of Steel."

When JOHN MYHRE says, "...it's really stressful, but you just have to be so grateful." He speaks for most creative professionals. With a couple guys named Oscar hanging out with him, Myhre's worked on "Chicago," "X-Men," "Memoirs of a Geisha," "Nine," "Dreamgirls," and "Pirates of the Caribbean: On Stranger Tides." As grand as some of those productions have been, John discusses how location scouting plays a role in what he does. This assisted us in the project we have at hand.

EVE STEWART takes an ultra-wide view of her work as a designer, feeling her talents should extend beyond film to include "anything." Eve's level of confidence inspires production teams that she could tackle "Nicholas Nickleby," "The King's Speech," and "Les Miserable." Her drawings are such a joy to examine that one even has "Fun!"written on it. Yet she feels that the quality of her illustrations have to persuade people that her creative ideas are good.

This summer's release of "Man of Tai Chi," the directorial debut of Keanu Reeves, was designed by YOHEI TANEDA, as he has designed "Kill Bill" and "The Flowers of War." Taneda's wide views paint those cover shots which sometimes make situations seem too large to be within the control of humans. Yohei literally sets the stage for the script.

DEAN TAVOULARIS got on board with Francis Ford Coppola for "The Godfather" films and is a creative partner in Coppola's production company. Dean goes back to doing the tween frames for "20,000 Leagues Under the Sea" in 1954 and played a big role in the struggles to capture "Apocalypse Now." The career of Tavoularis proves the importance of the production designer to a film and points the way for the potential, for where a designer's influence could become much larger, in the years ahead.

LEGACY - But what about the past? Five spreads are dedicated to the work of John Box, Cedric Gibbons, William Cameron, Ferdinando Scarfiotti, and Richard Sylbert. Together, they have credits which include, "Doctor Zhivago," Lawrence of Arabia," "The Wizard of Oz," "Gone with the Wind," "The Last Emperor," and "Dick Tracey."

CONCLUSION - This book added a fresh light to the projects in front of us. Yes, we already knew all about production design. We had seen the majority of the film frames in the book, many times before. However, without this volume, we would not have gained the fresh vision we were looking for. It provided all we came looking for and exceeded expectations.

3 of 3 people found the following review helpful.
Great book for anyone interested in film design
By Brendan O'Connor
Great book for anyone interested in film design and learning about what a production designer does. Some of the greats are interviewed and their work and stories are inspiring.

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