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Have you ever wanted to try your hand at cartoony computer animation? Then look no further… Cartoon Character Animation with Maya will help you create just that, guiding you through every step of the process including how to incorporate multiple limbs, smears, motion lines and staggers seamlessly into your animation.
From planning to posing to polish, you'll learn how to make the most of breakdowns, take the terror out of tangent types and overcome the oft-feared graph editor.
Each chapter includes insight and advice from world-leading character animators, and the companion website, www.bloomsbury.com/Osborn-Cartoon-Animation, includes a short animation featuring the star of the book, Mr. Buttons. There's also a specially created rig of Mr. Buttons for you to animate with, as well as walk-through videos demonstrating key techniques. Everything you need to help you animate your own cartoony creations!
Includes interviews with: Ken Duncan, Beauty and the Beast, Aladdin, 9; Jason Figliozzi, Wreck it Ralph, Frozen, Big Hero 6; T. Dan Hofstedt, Pocahontas, Mulan, Planes; Ricardo Jost, The Nut Job, The Snow Queen 2; Pepe S�nchez, Pocoyo, Jelly Jamm; Matt Williames, Looney Tunes: Back in Action, The Princess and the Frog
- Sales Rank: #904815 in Books
- Published on: 2015-10-08
- Released on: 2015-10-08
- Original language: English
- Number of items: 1
- Dimensions: 10.65" h x .49" w x 8.25" l, 1.00 pounds
- Binding: Paperback
- 176 pages
Review
“… you don’t need to be a Maya pro to get a lot from the book; indeed, the advice presented here can be application to most CG animation software, but when it does touch on specifics … it’s done so in a clean and informed way … It’s in the more general insights and animation techniques where the book comes alive, backed by some great examples and interviews as Keith ropes in industry friends such as Matt Williams (The Princess and the Frog), Ricardo Jost Resende (Nut Job) and Jason Figliozzi (Wreck-it-Ralph) to bolster the wealth of advice.” -Pressreader “3D World”
“[Cartoon Character Animation with Maya is] well written and includes color photos from current animated features, which Osborn uses to explain different concepts from planning shots to designing readable poses. … I definitely could have used this book when I was first working in Maya.” - Jim Richardson, Animateducated
About the Author
Keith Osborn, is a US-based freelance animator and animation instructor. He has over ten years' experience in various disciplines of animated film-making, specializing in character animation, including his work on the 2012 Oscar-winning short, The Fantastic Flying Books of Mr. Morris Lessmore.
Most helpful customer reviews
4 of 4 people found the following review helpful.
The interviews added between the chapters are a nice filler. Keith Osborn described his workflow from step ...
By Joan d'Audiffret
I was looking forward to this book, unfortunately this turned out to be disappointing. Anyone with a couple of semester from IAnimate or animation mentor under their belt will benefit little. This is a very superficial overview of a complex subject. The interviews added between the chapters are a nice filler. Keith Osborn described his workflow from step to spline, but too little for the non initiated and not enough for the somewhat experience animator. Of note the link to the companion files of the kindle edition is non functional. Furthermore, this text is 10$ cheaper if you order it directly from the publisher in a epub format. Oh well, there is no substitute for practice...
2 of 2 people found the following review helpful.
Great book that picks one subject and thoroughly explores it.
By Amazon Customer
I really enjoyed this book. I've been animating for several years and have completed the feature course at iAnimate just last year so I guess I'm not a beginner or an expert, somewhere in between.
Regarding the content here's my take on it :
Since I've been studying animation intensively for a few years there's not a lot in the book I haven't already heard of (I've read ASK, Illusion of Life, Timing for Animation and lots of others), so parts like the discussion of the basic principles is stuff I'm already very familiar with. At the same time though - I really don't believe the basics can ever be repeated too often as this stuff is crucial to think about as much as possible! So I find having it repeated in different contexts by different books is a good thing.
The other side of it is that in most animation courses/books they talk about animation as a whole, and they don't dig deep into one style so much as cover many styles. But this book deals very specifically with very pushed cartoony animation in particular and for me that's very interesting and there's some great information in there that you can only learn with a lot of trial and error in many cases
It also covers a lot of stuff that's anecdotal, like the interviews, which I found was generally illuminating. I'm a freelancer and I work remotely so I'm always aware that one thing I miss by not being part of a studio is the chance to look over someone's shoulder while they work and to ask them questions about their thought process, workflow etc. I got some of that at iAnimate but I'm always hungry for more as every animator has their own tips and tricks to offer. So for me the interviews are definitely useful and had some great tips and insights.
1 of 1 people found the following review helpful.
Exceptional Transmedia Book on Applying 2D Animation Techniques in Maya
By Jason Kennedy
There are many books on animation available, some exceptional and some bin-worthy. What sets Cartoon Character Animation with Maya apart is that it discusses "from the trenches" theory while providing detailed tutorials and valuable resources. Osborn is able to get to the heart of how to transfer 2D character animation experience into 3D animation unlike any other book I've read or tutorial I've watched (and trust me, that is quite a few!). I'm a 3D animator with 14 years' experience and even I pulled out a few new nuggets of wisdom from this book to apply to my workflow. I also teach animation at the university level and this book will become required reading for my students. This is truly a transmedia project with great additional resources on the publisher's site.
If you want to learn how to animate in 3D with the feeling of Chuck Jones or Tex Avery, this is the book for you.
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